Sarah Rosenthal’s we could hang a radical panel of light embodies the visibility of the poetic process, in which the tangible and intangible are held in counterbalance. Words and phrases from Rosenthal’s dream journal have been broken apart, rearranged, and placed by hand on the page, each cut-out white rectangle becoming its own panel of light. The compositional practice of collage builds a tenuous sense of structure and evokes a shifting subjectivity, a revolving, scintillating sense of meaning. “Estelle,” “she,” and “I” are all points in a constellation of a self grappling with pain and identity as they mirror, overlap, and depart from one another, traversing the vast space in which each panel has been carefully affixed.